2021北京9当代舞团作品《七窍生烟》-景德镇站

项目详情

BEIJING 9 Contemporary Dance Theatre

北京9当代舞团作品

《七窍升烟》

《FUME》

作品名称：七窍生烟

Name: FUME

编导： 詹骊

Choreographer: Li Zhan

作曲：Ran Bagno

Composer: Ran Bagno (Israel)

音乐剪辑：Ran Bagno， 詹骊

Music Editing: Ran Bagno (Israel), Li Zhan

灯光：齐玉杰

Lighting Designer: Yujie Qi

视频剪辑、主视觉：樊从

Video & Visual Art: Cong Fan

演员：刘诗雨 , 韩丽娜，赵金，毛莹，何嘉俊，郑雅琳，韩煜

Dancers: Yupei Tang, Lina Han, Jin Zhao, Ying Mao, Weiyuan Zhao,

               Zidong Xu, Ying Wang

总策划：徐伟

Chief Planner: Wei Xu

制作人：罗晓英

Producer: Xiaoying Luo

艺术总监：朝克

Artisitic Director: Chaoke

探索人类的本能中勇气与力量来源。那是种不屈的力量，是胸膛一把燃不净的火，是不达目的不罢休的热诚，是面对质疑时的一份笃定，是捍卫梦想的一面威盾，是对知识的渴求和战胜挑战的决心。

就像诗人狄兰·托马斯对他暮年的父亲所说：

“Do not go gentle into that good night, 

Old age should burn and rave at close of day; 

Rage, rage against the dying of the light.”

“不要踏入静谧的良夜，

暮年也应在黄昏中燃烧；

愤怒，愤怒，在这将逝的时光里愤怒吧” -黍黎译

这是一份时常从内心喷涌而出，在胃中翻腾倒海的感受，是一次心悸，是气息倒灌。编导希望通过这个作品，扩大力量的定义，借着力量驱使而来的光怪陆离，从心理和肢体上收集这些人类天性中兽性的本能反应，收集这些关于力量的丰富色彩。

《七窍生烟》为现代舞小舞剧， 用较为幽默，抽象和充满想象力的方式，展示一些在不同情况和背景下被激发的肢体真实反应。烈，舞者化为猛兽，怒云，层层推进玉石俱焚；谧，风平浪静中带着狠劲与短促微小的爆发。

《七窍生烟》： 2016.12.16/17 首演于北京9剧场（行动剧场）， 亚森林青年艺术家扶植计划委约作品。2017.1.2/3 上演于西安易俗大剧院。2018.9.7成都四川歌舞剧院。2017.12.27北京9剧场（行动剧场）。2020.10.28北京798玫瑰之名。

“中国故事探，世界听我说”专题直播；北京早安栏目报道。

FUME, uses a constant enteral floating energy and vigorous external physical movements to describe an original emotion of all human being – Anger.  Except seen anger as a negative emotion which brings impulsion and unreasonable, did we notice that some times, under a certain circumstance, we keep anger within ourselves on purpose as a motivation and even a source of courage. For example, the poem Dylan Thomas written to encourage his father:

“Do not go gentle into that good night, old age should burn and rave at close of day; Rage, rage against the dying of the light.”

Rage, anger, somehow become a protection, an unyielding attitude that humanity demands from deep inside. The choreographer Li Zhan sees anger in different layers, she investigates how to express the diversity of anger by using both intense/aggressive physical movements as well as the soft or cautious movements. In order to collect the animalistic reaction of humanity from both physically and psychologically.